I’ve scrapped multiple styles of her walking and went with this one: Click here!
I’m having problems with the perspective of her hair and some other things but I think she has a bit of attitude. (I may be biased)
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I’ve scrapped multiple styles of her walking and went with this one: Click here!
I’m having problems with the perspective of her hair and some other things but I think she has a bit of attitude. (I may be biased)
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April 21, 2010 at 9:31 pm
cbelland
You’ve got some good overlap on the legs! Good use of volumes… but, the problem is that you’ve got so much movement, your audience doesn’t know where to look (the hand sliding over the stomach is distracting). Think of her different sections like tennis: the ball can only be in one part of the court at one time. Let our eyes move over the character in a logical sequence. This doesn’t mean you isolate only one part of the body and only it moves. It means that you let motion flow through the body (follow through). Let her plant her foot, then rotate her knee, then lift her hip, then twist her torso, then etc…. each one starts a frame or two behind the first…